News — abstraction

Broth Art is pleased to present 'Prosen' a solo show of work by Scottish artist Oran Wishart. Bringing together painting, mixed media and sculpture, it explores the interplay between place, memory and language, revealing how these elements co-create meaning and experience. Named after Glen Prosen, a remote glen on the southern edge of the Cairngorms National Park in Scotland where Wishart grew up, 'Prosen' is a deeply personal body of work that explores both the visible and invisible forces that shape our sense of self. 

Exhibition Details:
 Dates: 14 - 19 October 2025, 10am-6pm
 Opening Reception: Tuesday 14 October 2025, 6pm-8pm
 Location: Broth Art (Pop-up), 11 Caledonian Road, London N1 9DX
 Website: www.brothart.com

We are delighted to announce that Oran Wishart has joined our roster of artists! Based in Lanarkshire, Wishart is a graduate of Glasgow School of Art (GSA) whose paintings span figuration and abstraction. 

We are delighted to present new work by multi-award-winning artist Patricia Paolozzi Cain. Based in rural Dumfries and Galloway, Patricia Paolozzi Cain's often large-scale works of art form an active and shaping force that exists between the artist and her physical environment. Tangled tree branches, dense hedgerows, a fusion of fallen leaves, sedges and thickets are the preamble to Paolozzi Cain's abstracted compositions. Getting lost in nature's cosmos is for Paolozzi Cain a means to look inward, to introspect. In her own words, she says, "I focus on nature as a gateway to the internal mind." Using a process of intense scrutiny, where she transposes and edits what she sees before her, Paolozzi Cain turns observations into a rich, meditative language that is as much rooted in place as it is in consciousness.

If you follow Broth, it won't surprise you that one of my favourite things to do is visit artists at their studio. Call me a nosy parker but stepping into an artists workspace is for me like entering Ali Baba's cave- you never know what riches you're going to find. Fiona MacRae's studio in rural Argyll is one such place that never disappoints. Tucked away up a meandering track in mossy woodland, Fiona's studio is a treasure trove of spectacles.Having beachcombed her entire life, Fiona MacRae's studio is a shrine to both natural and man-made forms scavanged from the shoreline. There are whalebones, coloured sea glass, mermaid purses, driftwood and calcified sea creatures, but also a confetti of plastic odds and ends, corroded rubber and knarled bits of oxidised metal. Wherever you look, there's something to marvel at.

Over the years, it has become abundantly clear that beachcombing is an important part of MacRae's practice. It works its way- albeit surreptitiously- into her paintings by means of colour, texture and form, and is used directly in her assemblage artwork. For this reason, I was curious to learn more about her love of beachcombing, how it informs her art-making and where it all started.

Read on to discover more about Fiona MacRae and her delightful art.

Kathy McCarthy makes sculptures in a variety of materials including clay, jesmonite, fiberglass and wood. She says, “The physicality of materials and making objects has increasingly yet slowly grown more important to me. Whether it is clay with its malleable and slippery texture or fibreglass with its strength and rigid texture, I struggle, tear apart, stick and rebuild to invent a place where only these materials can belong.”