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Kathy McCarthy makes sculptures in a variety of materials including clay, jesmonite, fiberglass and wood. She says, “The physicality of materials and making objects has increasingly yet slowly grown more important to me. Whether it is clay with its malleable and slippery texture or fibreglass with its strength and rigid texture, I struggle, tear apart, stick and rebuild to invent a place where only these materials can belong.” 

A solo exhibition of work by award-winning artist Maureen Nathan is opening this June (Thu 9th- Sun 19th) at The Fitzrovia Gallery, London. ‘Beneath The Moon & Under The Sun’ brings together 130 works on paper produced over the last two and a half years.

We are delighted to present new work by London-based painter and collage-maker, Sara Breinlinger. Moving away from her more representational practice, Sara explores the world of abstraction through the means of collage. Sara studied fine art at Middlesex Polytechnic but then went on to pursue a career as a psychotherapist. For the past twenty years, she has been sharing her time as both a psychotherapist and as a practicing artist, and so it’s no surprise that her artwork draws on the human condition.

A couple of weeks ago, I visited Dan Jamieson at his home and studio in Walthamstow, London. Dan is both a long-standing friend and member of the Broth Art stable, so our meetings are just as much a discussion of upcoming projects and new work as they are a chinwag...............(continue reading).

Ultramarine, cyan, navy and azure, all names for a colour that we love and adore: blue. In our latest short essay, we look at the history of blue, its significance in different religions and cultures, and just how diverse the beryl hue really is!